Suicide Underground Orchid by Ikizukuri + Susana Santos Silva “I a an Failures” is as hard to nail downĪs its title, its echoing mystery surrendering to an accelerating bass Music that its makers have already called “In the We Some, No S Can Though”
Kind of poetic rage: what linear discourse can possibly add to a piece of Impossibilities that create meaning out of incongruity, conceived with a Titles attached to these pieces: the track titles are convulsions, semantic Multipleĭislocations echo that grim band name, extending to the wonderfully crazed Ranges from speed metal aggression to dream-like lyricism. Stretches out to nine minutes on “Wealth, to the Poison in the Wash”, it Costa’s postproductionĮmphases range from ambient, abstracted sound to harsh noise: when the band
More intense than what was first created “live”. Of improvised music however “pure” the process. Present”, a beautiful fiction present (it’s inescapable) in every recording The most striking aesthetic expansion here is Costa’s postproductionĮlectronica, strange echoing sounds that violate the “presence of the
Peter brotzmann postmodern free#
Precise and incandescent trumpet is almost normative, a free jazzįront-line less odd than the prior pitch gap between Almeida’s bass and The expansion to a quartet with Santos Silva’s at-once Thrash and pinpoint-rattle drumming, and the horns an interchange of Here Almeida contributes doom metal bass, Costa a mix of The harsher force of Peter Brötzmann and the adoption of heavyĪmplification. It’s a brilliant up-date on an established format, the long runningĭialogical free jazz quartet from those of Coleman and Ayler through
I doubt the band isĮndorsing Ikizukuri, rather identifying with the meal. Japanese restaurant tried to get off the plate. Still recall my surprise when the dinner of a neighboring customer in a How visceral is it? “Ikizukuri” is aįorm of sashimi in which the seafood is still alive when it is prepared. The band works fromĪ kind of Japanese chaos aesthetic. Ikizukuri, based in Porto, Portugal, begins as a power trio of GonçaloĪlmeida, on electric bass Gustavo Costa, playing drums and postproductionĮlectronics and Julius Gabriel, on soprano saxophone.
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